Creative Evolution: Difference between revisions
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Cheryl A. Kerfeld <br> [http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 When Art, Science, and Culture Commingle]<br> | Cheryl A. Kerfeld <br> [http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 When Art, Science, and Culture Commingle]<br> | ||
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 | http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100<br> | ||
David P. Barash | David P. Barash | ||
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Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti | Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti | ||
[http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf Grasping the Intentions of Others with One’s Own Mirror Neuron System]<br>[http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf <br>] | [http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf Grasping the Intentions of Others with One’s Own Mirror Neuron System]<br>[http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf <br>] | ||
Chrisantha Fernando, K.K. Karishma, Eors Szathmary | Chrisantha Fernando, K.K. Karishma, Eors Szathmary | ||
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Steven P. DiPaola and Liane Gabora | Steven P. DiPaola and Liane Gabora | ||
[http://cogprints.org/6767/ Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]<br><br> | [http://cogprints.org/6767/ Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm]<br><br> | ||
Richard Samuels | Richard Samuels | ||
[http://sas-space.sas.ac.uk/944/ Is the Mind Massively Modular?] | [http://sas-space.sas.ac.uk/944/ Is the Mind Massively Modular?]<br><br> | ||
Johan De Smedt | Johan De Smedt | ||
[http://www.epjournal.net/filestore/EP08695719.pdf Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art] | [http://www.epjournal.net/filestore/EP08695719.pdf Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art]<br><br> | ||
Mark Amerika | Mark Amerika | ||
[http://www. | [http://www.culturemachine.net/index.php/cm/article/view/351/353 Source Material Everywhere]<br><br>Mark Amerika | ||
John Egenes | [http://www.vjtheory.net/web_texts/text_amerika.htm Ghost Tendencies]<br><br>John Egenes | ||
[http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en Commentary: The Remix Culture; How the Folk Process Works in the 21st Century]<br><br> | [http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en Commentary: The Remix Culture; How the Folk Process Works in the 21st Century]<br><br> | ||
Geoffrey F. Miller | Geoffrey F. Miller | ||
[http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria]<br><br> | [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria]<br><br> | ||
Julie Copeland | Julie Copeland | ||
[http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm The Creative Urge: Elizabeth Grosz ]<br><br><br> [http://www.livingbooksaboutlife.org/books/Evolutionary_psychology/natural_selection/Attributions Attributions] | [http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm The Creative Urge: Elizabeth Grosz ]<br><br><br> [http://www.livingbooksaboutlife.org/books/Evolutionary_psychology/natural_selection/Attributions Attributions] | ||
Revision as of 10:42, 15 September 2011
Creative Evolution: Natural Selection and the Urge to Remix
edited by Mark Amerika
Mark Amerika
Introduction: What Is Creativity?
What is Creativity?
In his Process and Reality
Alfred North Whitehead writes that
Creativity is the principle of novelty.
The concept of novelty or more specifically
novelty generation as the modus operandi of
all living creatures mutating in the remix pool
relates to current trends in networked art
where the artist-as-medium postproduces
the Source Material Everywhere
as part of a larger co-poietic unfolding
inside the networked space of flows (more...)
Cheryl A. Kerfeld
When Art, Science, and Culture Commingle
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100
David P. Barash
Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society
Liane Gabora
The Beer Can Theory of Creativity
Elena Daprati, Marco Iosa, Patrick Haggard
A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art
Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti
Grasping the Intentions of Others with One’s Own Mirror Neuron System
Chrisantha Fernando, K.K. Karishma, Eors Szathmary
Copying and Evolution of Neuronal Topology
Steven P. DiPaola and Liane Gabora
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
Richard Samuels
Is the Mind Massively Modular?
Johan De Smedt
Mark Amerika
Source Material Everywhere
Mark Amerika
Ghost Tendencies
John Egenes
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century
Geoffrey F. Miller
Julie Copeland