Creative Evolution/Attributions: Difference between revisions
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
<br>1. Cheryl A. Kerfeld<br>When Art, Science, and Culture Commingle | <br>1. Cheryl A. Kerfeld<br>When Art, Science, and Culture Commingle | ||
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 | http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 | ||
<br>2. David P. Barash | <br>2. David P. Barash | ||
Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society | Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society | ||
Link to Evolutionary Psychology http://www.epjournal.net/filestore/ep02200219.pdf | Link to Evolutionary Psychology http://www.epjournal.net/filestore/ep02200219.pdf | ||
<br>3. Liane Gabora | <br>3. Liane Gabora | ||
The Beer Can Theory of Creativity | The Beer Can Theory of Creativity | ||
Made available here via a link to author J. J. Collins' self-archived copy in <br> | |||
http://cogprints.org/4768/1/beercan.htm | |||
<br>4. Elena Daprati, Marco Iosa, Patrick Haggard | |||
A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art | |||
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023 | |||
<br>5. Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti | |||
Grasping the Intentions of Others with One’s Own Mirror Neuron System | |||
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf | |||
<br>6. Chrisantha Fernando, K.K. Karishma, Eors Szathmary | |||
Copying and Evolution of Neuronal Topology | |||
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775 | |||
<br>7. Steven P. DiPaola and Liane Gabora | |||
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm | |||
http://cogprints.org/6767/ | |||
<br>8. Richard Samuels | |||
Is the Mind Massively Modular? | |||
http://sas-space.sas.ac.uk/944/ | |||
<br>9. Johan De Smedt | |||
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art | |||
www.epjournal.net/filestore/EP08695719.pdf | |||
<br>10. Mark Amerika | |||
Source Material Everywhere | |||
http://www.culturemachine.net/index.php/cm/article/viewArticle/351 | |||
<br>11. Mark Amerika | |||
Ghost Tendencies | |||
http://www.vjtheory.net/web_texts/text_amerika.htm | |||
<br>12. John Egenes | |||
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century | |||
http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en | |||
<br> | |||
See also these articles that are copyrighted but are still available to read for free on the Internet: | See also these articles that are copyrighted but are still available to read for free on the Internet: | ||
<br>13. Geoffrey F. Miller | <br>13. Geoffrey F. Miller | ||
Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria | Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria | ||
http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm | http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm | ||
<br>14. Julie Copeland | <br>14. Julie Copeland | ||
The Creative Urge: Elizabeth Grosz<br>http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm | The Creative Urge: Elizabeth Grosz<br>http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm | ||
<br> | <br> | ||
Revision as of 09:29, 15 September 2011
1. Cheryl A. Kerfeld
When Art, Science, and Culture Commingle
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100
2. David P. Barash
Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society
Link to Evolutionary Psychology http://www.epjournal.net/filestore/ep02200219.pdf
3. Liane Gabora
The Beer Can Theory of Creativity
Made available here via a link to author J. J. Collins' self-archived copy in
http://cogprints.org/4768/1/beercan.htm
4. Elena Daprati, Marco Iosa, Patrick Haggard
A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023
5. Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti
Grasping the Intentions of Others with One’s Own Mirror Neuron System
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf
6. Chrisantha Fernando, K.K. Karishma, Eors Szathmary
Copying and Evolution of Neuronal Topology
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775
7. Steven P. DiPaola and Liane Gabora
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
8. Richard Samuels
Is the Mind Massively Modular?
http://sas-space.sas.ac.uk/944/
9. Johan De Smedt
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art
www.epjournal.net/filestore/EP08695719.pdf
10. Mark Amerika
Source Material Everywhere
http://www.culturemachine.net/index.php/cm/article/viewArticle/351
11. Mark Amerika
Ghost Tendencies
http://www.vjtheory.net/web_texts/text_amerika.htm
12. John Egenes
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century
See also these articles that are copyrighted but are still available to read for free on the Internet:
13. Geoffrey F. Miller
Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator
and Aesthetic Preferences as Mate Choice Criteria
http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm
14. Julie Copeland
The Creative Urge: Elizabeth Grosz
http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm