Creative Evolution/Attributions: Difference between revisions
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<br> | [http://www.livingbooksaboutlife.org/books/Creative_Evolution Back to the book] | ||
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Cheryl A. Kerfeld<br>When Art, Science, and Culture Commingle | |||
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 | http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100 | ||
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This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.<br> | This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.<br> | ||
David P. Barash | |||
Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society | Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society | ||
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Made available here via a link to ''Evolutionary Psychology'' http://www.epjournal.net/filestore/ep02200219.pdf | Made available here via a link to ''Evolutionary Psychology'' http://www.epjournal.net/filestore/ep02200219.pdf | ||
Liane Gabora | |||
The Beer Can Theory of Creativity | The Beer Can Theory of Creativity | ||
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Made available here via a link to the author's [http://cogprints.org/4768/1/beercan.htm self-archived copy] in the Cogprints repository<br> | Made available here via a link to the author's [http://cogprints.org/4768/1/beercan.htm self-archived copy] in the Cogprints repository<br> | ||
Elena Daprati, Marco Iosa, Patrick Haggard | |||
A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art | A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art | ||
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Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br> | Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br> | ||
Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti | |||
Grasping the Intentions of Others with One’s Own Mirror Neuron System | Grasping the Intentions of Others with One’s Own Mirror Neuron System | ||
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Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br> | Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br> | ||
Chrisantha Fernando, K.K. Karishma, Eors Szathmary | |||
Copying and Evolution of Neuronal Topology | Copying and Evolution of Neuronal Topology | ||
| Line 41: | Line 43: | ||
Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br> | Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br> | ||
Steven P. DiPaola and Liane Gabora | |||
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm | Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm | ||
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Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository<br> | Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository<br> | ||
Richard Samuels | |||
Is the Mind Massively Modular? | Is the Mind Massively Modular? | ||
| Line 55: | Line 57: | ||
'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br> | 'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br> | ||
Johan De Smedt | |||
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art | Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art | ||
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Made available here via a link to ''Evolutionary Psychology'' www.epjournal.net/filestore/EP08695719.pdf | Made available here via a link to ''Evolutionary Psychology'' www.epjournal.net/filestore/EP08695719.pdf | ||
Mark Amerika | |||
Source Material Everywhere | Source Material Everywhere | ||
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Licence: © Mark Amerika; courtesy of Mark Amerika<br> | Licence: © Mark Amerika; courtesy of Mark Amerika<br> | ||
Mark Amerika | |||
Ghost Tendencies | Ghost Tendencies | ||
http://www.vjtheory.net/web_texts/text_amerika.htm | http://www.vjtheory.net/web_texts/text_amerika.htm | ||
| Line 77: | Line 79: | ||
Licence: © Mark Amerika; courtesy of Mark Amerika<br> | Licence: © Mark Amerika; courtesy of Mark Amerika<br> | ||
John Egenes | |||
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century | Commentary: The Remix Culture; How the Folk Process Works in the 21st Century | ||
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<br> | <br> | ||
Geoffrey F. Miller | |||
Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria | Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria | ||
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Made available here via a link to the [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm author's version] on the University of New Mexico website<br> | Made available here via a link to the [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm author's version] on the University of New Mexico website<br> | ||
Julie Copeland | |||
The Creative Urge: Elizabeth Grosz<br>Made available here via a link to the [http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm Sunday Morning] website | The Creative Urge: Elizabeth Grosz<br>Made available here via a link to the [http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm Sunday Morning] website | ||
<br> | <br> | ||
Revision as of 13:56, 30 September 2011
Back to the book
Cheryl A. Kerfeld
When Art, Science, and Culture Commingle
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100
This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.
David P. Barash
Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society
Made available here via a link to Evolutionary Psychology http://www.epjournal.net/filestore/ep02200219.pdf
Liane Gabora
The Beer Can Theory of Creativity
Made available here via a link to the author's self-archived copy in the Cogprints repository
Elena Daprati, Marco Iosa, Patrick Haggard
A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023
Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti
Grasping the Intentions of Others with One’s Own Mirror Neuron System
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf
Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the
original work is properly cited.
Chrisantha Fernando, K.K. Karishma, Eors Szathmary
Copying and Evolution of Neuronal Topology
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775
Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.
Steven P. DiPaola and Liane Gabora
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
Made available here via a link to the authors' self-archived copy in the Cogprints repository
Richard Samuels
Is the Mind Massively Modular?
http://sas-space.sas.ac.uk/944/
'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license
Johan De Smedt
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art
Made available here via a link to Evolutionary Psychology www.epjournal.net/filestore/EP08695719.pdf
Mark Amerika
Source Material Everywhere
http://www.culturemachine.net/index.php/cm/article/viewArticle/351
Licence: © Mark Amerika; courtesy of Mark Amerika
Mark Amerika
Ghost Tendencies
http://www.vjtheory.net/web_texts/text_amerika.htm
Licence: © Mark Amerika; courtesy of Mark Amerika
John Egenes
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century
The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.
Geoffrey F. Miller
Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator
and Aesthetic Preferences as Mate Choice Criteria
Made available here via a link to the author's version on the University of New Mexico website
Julie Copeland
The Creative Urge: Elizabeth Grosz
Made available here via a link to the Sunday Morning website