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<br>1. Cheryl A. Kerfeld<br>When Art, Science, and Culture Commingle
[http://www.livingbooksaboutlife.org/books/Creative_Evolution Back to the book]


http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100  
<br>Kerfeld, C.A. (2009) 'When Art, Science, and Culture Commingle'. ''PLoS Biology'', 7(5), May 19: e1000100.
<br>http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100  
<br>This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.<br>


This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.<br>  
<br>Barash, D.P. (2004) 'Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society', ''Evolutionary Psychology'', 2.
<br>Made available here via a link to ''Evolutionary Psychology'' http://www.epjournal.net/filestore/ep02200219.pdf


<br>2. David P. Barash
<br>Gabora, L. (2000) 'The Beer Can Theory of Creativity', in P. Bentley & D. Corne (eds), ''Creative Evolutionary Systems''. Morgan Kauffman.
<br>Made available here via a link to the author's [http://cogprints.org/4768/1/beercan.htm self-archived copy] in the Cogprints repository<br>


Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society
<br>Daprati, E., Iosa, M. & Haggard, P. (2009) 'A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art', ''PLoS ONE'' 4(3): e5023.
<br>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023
<br>Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>


Made available here via a link to ''Evolutionary Psychology'' http://www.epjournal.net/filestore/ep02200219.pdf  
<br>Iacoboni, M., Molnar-Szakacs, I., Gallese, V., Buccino, G., Mazziotta, J.C. & Rizzolatti, G. 'Grasping the Intentions of Others with One’s Own Mirror Neuron System', ''PLoS Biology'', 3(3): e79.
<br>http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf  
<br>Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br>


<br>3. Liane Gabora
<br>Fernando, C., Karishma, K.K. & Szathmary, E. (2008) 'Copying and Evolution of Neuronal Topology', ''PLoS ONE'', 3(11): e3775.
<br>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775
<br>Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>


The Beer Can Theory of Creativity  
<br>DiPaola, S.P. & Gabora, L. (2009) 'Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm', ''Genetic Programming and Evolvable Machines'', 10(2).
<br>Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository.<br>


Made available here via a link to the author's [http://cogprints.org/4768/1/beercan.htm self-archived copy] in the Cogprints repository<br>  
<br>Samuels, R. (2006) 'Is the Mind Massively Modular?', in R. J. Stainton (ed.), "Contemporary Debates in Cognitive Science". Oxford: Blackwell.
<br>http://sas-space.sas.ac.uk/944/  
<br>'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br>  


<br>4. Elena Daprati, Marco Iosa, Patrick Haggard
<br>Smedt, J.D. (2010) 'Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art', ''Evolutionary Psychology'', 8(4).
<br>Made available here via a link to ''Evolutionary Psychology'' www.epjournal.net/filestore/EP08695719.pdf.


A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art
<br>Amerika, M. (2009) 'Source Material Everywhere', ''Culture Machine'', Vol. 10.
<br>http://www.culturemachine.net/index.php/cm/article/viewArticle/351
<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>


http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023
<br>Amerika, M, (2008) 'Ghost Tendencies', ''VJ Theory'', October 2.
<br>http://www.vjtheory.net/web_texts/text_amerika.htm
<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>


Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>  
<br>Egenes, J. (2010) 'Commentary: The Remix Culture; How the Folk Process Works in the 21st Century', ''PRism'', 7(3).
<br>http://www.doaj.org/doaj?func=abstract&amp;id=614106&amp;q1=remix&amp;f1=all&amp;b1=and&amp;q2=&amp;f2=all&amp;recNo=2&amp;uiLanguage=en
<br>The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.<br>  


<br>5. Marco Iacoboni, Istvan Molnar-Szakacs, Vittorio Gallese, Giovanni Buccino, John C. Mazziotta, Giacomo Rizzolatti
<br> Miller, G.F. (2001) 'Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria', ''Bulletin of Psychology and the Arts'', 2(1).
<br>Made available here via a link to the [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm author's version] on the University of New Mexico website<br>


Grasping the Intentions of Others with One’s Own Mirror Neuron System
<br>Copeland, J. (2005) 'The Creative Urge: Elizabeth Grosz', ''Sunday Morning'', July 5.  
 
<br>Made available here via a link to the [http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm Sunday Morning] website
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf
 
Licence: Copyright 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br>
 
<br>6. Chrisantha Fernando, K.K. Karishma, Eors Szathmary
 
Copying and Evolution of Neuronal Topology
 
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775
 
Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>
 
<br>7. Steven P. DiPaola and Liane Gabora
 
Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm
 
Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository<br>
 
<br>8. Richard Samuels
 
Is the Mind Massively Modular?
 
http://sas-space.sas.ac.uk/944/
 
'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br>
 
<br>9. Johan De Smedt
 
Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art
 
Made available here via a link to ''Evolutionary Psychology'' www.epjournal.net/filestore/EP08695719.pdf
 
<br>10. Mark Amerika
 
Source Material Everywhere
 
http://www.culturemachine.net/index.php/cm/article/viewArticle/351
 
<br>11. Mark Amerika
 
Ghost Tendencies
 
http://www.vjtheory.net/web_texts/text_amerika.htm
 
Licence: © Mark Amerika; courtesy of Mark Amerika<br>
 
<br>12. John Egenes
 
Commentary: The Remix Culture; How the Folk Process Works in the 21st Century
 
http://www.doaj.org/doaj?func=abstract&amp;id=614106&amp;q1=remix&amp;f1=all&amp;b1=and&amp;q2=&amp;f2=all&amp;recNo=2&amp;uiLanguage=en
 
<br>
 
See also these articles that are copyrighted but are still available to read for free on the Internet:
 
<br>13. Geoffrey F. Miller
 
Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria
 
Made available here via a link to the [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm author's version] on the University of New Mexico website<br>
 
<br>14. Julie Copeland
 
The Creative Urge: Elizabeth Grosz<br>http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm  


<br>
<br>

Latest revision as of 09:30, 20 October 2011

Back to the book


Kerfeld, C.A. (2009) 'When Art, Science, and Culture Commingle'. PLoS Biology, 7(5), May 19: e1000100.
http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100
This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.


Barash, D.P. (2004) 'Biology Lurks Beneath: Bioliterary Explorations of the Individual versus Society', Evolutionary Psychology, 2.
Made available here via a link to Evolutionary Psychology http://www.epjournal.net/filestore/ep02200219.pdf


Gabora, L. (2000) 'The Beer Can Theory of Creativity', in P. Bentley & D. Corne (eds), Creative Evolutionary Systems. Morgan Kauffman.
Made available here via a link to the author's self-archived copy in the Cogprints repository


Daprati, E., Iosa, M. & Haggard, P. (2009) 'A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art', PLoS ONE 4(3): e5023.
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023
Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.


Iacoboni, M., Molnar-Szakacs, I., Gallese, V., Buccino, G., Mazziotta, J.C. & Rizzolatti, G. 'Grasping the Intentions of Others with One’s Own Mirror Neuron System', PLoS Biology, 3(3): e79.
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf
Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the
original work is properly cited.


Fernando, C., Karishma, K.K. & Szathmary, E. (2008) 'Copying and Evolution of Neuronal Topology', PLoS ONE, 3(11): e3775.
http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775
Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.


DiPaola, S.P. & Gabora, L. (2009) 'Incorporating Characteristics of Human Creativity into an Evolutionary Art Algorithm', Genetic Programming and Evolvable Machines, 10(2).
Made available here via a link to the authors' self-archived copy in the Cogprints repository.


Samuels, R. (2006) 'Is the Mind Massively Modular?', in R. J. Stainton (ed.), "Contemporary Debates in Cognitive Science". Oxford: Blackwell.
http://sas-space.sas.ac.uk/944/
'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license


Smedt, J.D. (2010) 'Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art', Evolutionary Psychology, 8(4).
Made available here via a link to Evolutionary Psychology www.epjournal.net/filestore/EP08695719.pdf.


Amerika, M. (2009) 'Source Material Everywhere', Culture Machine, Vol. 10.
http://www.culturemachine.net/index.php/cm/article/viewArticle/351
Licence: © Mark Amerika; courtesy of Mark Amerika


Amerika, M, (2008) 'Ghost Tendencies', VJ Theory, October 2.
http://www.vjtheory.net/web_texts/text_amerika.htm
Licence: © Mark Amerika; courtesy of Mark Amerika


Egenes, J. (2010) 'Commentary: The Remix Culture; How the Folk Process Works in the 21st Century', PRism, 7(3).
http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en
The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.


Miller, G.F. (2001) 'Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator
and Aesthetic Preferences as Mate Choice Criteria', Bulletin of Psychology and the Arts, 2(1).
Made available here via a link to the author's version on the University of New Mexico website


Copeland, J. (2005) 'The Creative Urge: Elizabeth Grosz', Sunday Morning, July 5.
Made available here via a link to the Sunday Morning website