Creative Evolution/Attributions - Revision history

Garyhall at 09:30, 20 October 2011

2011-10-20T09:30:52Z

← Older revision		Revision as of 09:30, 20 October 2011
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	<br>Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br>		<br>Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br>

	<br>Fernando, C., Karishma, K.K. & Szathmary, E. (2008) 'Copying and Evolution of Neuronal Topology', ''PLoS ONE'', 3(11).		<br>Fernando, C., Karishma, K.K. & Szathmary, E. (2008) 'Copying and Evolution of Neuronal Topology', ''PLoS ONE'', 3(11): e3775.
	<br>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775		<br>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0003775
	<br>Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>		<br>Licence: © 2008 Fernando et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>

Garyhall at 09:30, 20 October 2011

2011-10-20T09:30:14Z

← Older revision		Revision as of 09:30, 20 October 2011
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	<br>Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>		<br>Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>

	<br>Iacoboni, M., Molnar-Szakacs, I., Gallese, V., Buccino, G., Mazziotta, J.C. & Rizzolatti, G. 'Grasping the Intentions of Others with One’s Own Mirror Neuron System', ''PLoS Biology'', 3(3).		<br>Iacoboni, M., Molnar-Szakacs, I., Gallese, V., Buccino, G., Mazziotta, J.C. & Rizzolatti, G. 'Grasping the Intentions of Others with One’s Own Mirror Neuron System', ''PLoS Biology'', 3(3): e79.
	<br>http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf		<br>http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1044835/pdf/pbio.0030079.pdf
	<br>Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br>		<br>Licence: © 2005 Iacoboni et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the<br>original work is properly cited.<br>

Garyhall at 09:29, 20 October 2011

2011-10-20T09:29:29Z

← Older revision		Revision as of 09:29, 20 October 2011
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	<br>Made available here via a link to the author's [http://cogprints.org/4768/1/beercan.htm self-archived copy] in the Cogprints repository<br>		<br>Made available here via a link to the author's [http://cogprints.org/4768/1/beercan.htm self-archived copy] in the Cogprints repository<br>

	<br>Daprati, E., Iosa, M. & Haggard, P. (2009) 'A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art', ''PLoS ONE'' 4(3).		<br>Daprati, E., Iosa, M. & Haggard, P. (2009) 'A Dance to the Music of Time: Aesthetically-Relevant Changes in Body Posture in Performing Art', ''PLoS ONE'' 4(3): e5023.
	<br>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023		<br>http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0005023
	<br>Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>		<br>Licence: © 2009 Daprati et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.<br>

Garyhall at 09:28, 20 October 2011

2011-10-20T09:28:12Z

← Older revision		Revision as of 09:28, 20 October 2011
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	[http://www.livingbooksaboutlife.org/books/Creative_Evolution Back to the book]		[http://www.livingbooksaboutlife.org/books/Creative_Evolution Back to the book]

	<br>Kerfeld, C.A. (2009) 'When Art, Science, and Culture Commingle'. ''PLoS Biology'', 7(5), May 19.		<br>Kerfeld, C.A. (2009) 'When Art, Science, and Culture Commingle'. ''PLoS Biology'', 7(5), May 19: e1000100.
	<br>http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100		<br>http://www.plosbiology.org/article/info%3Adoi%2F10.1371%2Fjournal.pbio.1000100
	<br>This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.<br>		<br>This is an open-access article distributed under the terms of the Creative Commons Public Domain declaration which stipulates that, once placed in the public domain, this work may be freely reproduced, distributed, transmitted, modified, built upon, or otherwise used by anyone for any lawful purpose.<br>

Garyhall at 09:27, 20 October 2011

2011-10-20T09:27:17Z

← Older revision		Revision as of 09:27, 20 October 2011
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	[http://www.livingbooksaboutlife.org/books/Creative_Evolution Back to the book]		[http://www.livingbooksaboutlife.org/books/Creative_Evolution Back to the book]


	<br>Kerfeld, C.A. (2009) 'When Art, Science, and Culture Commingle'. ''PLoS Biology'', 7(5), May 19.		<br>Kerfeld, C.A. (2009) 'When Art, Science, and Culture Commingle'. ''PLoS Biology'', 7(5), May 19.
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	<br>The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.<br>		<br>The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.<br>

	<br>		<br> Miller, G.F. (2001) 'Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria', ''Bulletin of Psychology and the Arts'', 2(1).
			<br>Made available here via a link to the [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm author's version] on the University of New Mexico website<br>
	13. ~~Geoffrey~~ F. ~~Miller~~

	Aesthetic fitness: How Sexual Selection Shaped Artistic Virtuosity as a Fitness Indicator<br>and Aesthetic Preferences as Mate Choice Criteria

	Made available here via a link to the [http://www.unm.edu/~psych/faculty/aesthetic_fitness.htm author's version] on the University of New Mexico website<br>

	~~<br>14. Julie Copeland~~

	The Creative Urge: Elizabeth Grosz<br>Made available here via a link to the [http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm Sunday Morning] website		<br>Copeland, J. (2005) 'The Creative Urge: Elizabeth Grosz', ''Sunday Morning'', July 5.
			<br>Made available here via a link to the [http://www.abc.net.au/rn/arts/sunmorn/stories/s1381964.htm Sunday Morning] website

	<br>		<br>

Garyhall at 09:24, 20 October 2011

2011-10-20T09:24:31Z

← Older revision		Revision as of 09:24, 20 October 2011
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	<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>		<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	<br>Amerika, M, (2008) 'Ghost Tendencies', VJ Theory, October 2.		<br>Amerika, M, (2008) 'Ghost Tendencies', ''VJ Theory'', October 2.
	<br>http://www.vjtheory.net/web_texts/text_amerika.htm		<br>http://www.vjtheory.net/web_texts/text_amerika.htm
	<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>		<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	<br>12. ~~John Egenes~~		<br>Egenes, J. (2010) 'Commentary: The Remix Culture; How the Folk Process Works in the 21st Century', ''PRism'', 7(3).
			<br>http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en
	Commentary: The Remix Culture; How the Folk Process Works in the 21st Century		<br>The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.<br>

	http://www.doaj.org/doaj?func=abstract&id=614106&q1=remix&f1=all&b1=and&q2=&f2=all&recNo=2&uiLanguage=en

	The authors of this article have elected, in the interests of open dissemination of scholarly work, to provide this article to you in open access format. This means that, in accordance with the principles of the Budapest Open Access Initiative (http://www.soros.org/openaccess/), you may freely copy and redistribute this article provided you correctly acknowledge its authors and source, and do not alter its contents.<br>

	<br>		<br>

Garyhall at 09:19, 20 October 2011

2011-10-20T09:19:51Z

← Older revision		Revision as of 09:19, 20 October 2011
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	<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>		<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	<br>~~11. Mark~~ Amerika		<br>Amerika, M, (2008) 'Ghost Tendencies', VJ Theory, October 2.
			<br>http://www.vjtheory.net/web_texts/text_amerika.htm
	Ghost Tendencies		<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	http://www.vjtheory.net/web_texts/text_amerika.htm

	Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	<br>12. John Egenes		<br>12. John Egenes

Garyhall at 09:16, 20 October 2011

2011-10-20T09:16:27Z

← Older revision		Revision as of 09:16, 20 October 2011
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	<br>Smedt, J.D. (2010) 'Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art', ''Evolutionary Psychology'', 8(4).		<br>Smedt, J.D. (2010) 'Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art', ''Evolutionary Psychology'', 8(4).
	Made available here via a link to [www.epjournal.net/filestore/EP08695719.pdf ~~''Evolutionary Psychology'']~~.		<br>Made available here via a link to ''Evolutionary Psychology'' www.epjournal.net/filestore/EP08695719.pdf.

	<br>10. ~~Mark Amerika~~		<br>Amerika, M. (2009) 'Source Material Everywhere', ''Culture Machine'', Vol. 10.
			<br>http://www.culturemachine.net/index.php/cm/article/viewArticle/351
	Source Material Everywhere		<br>Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	http://www.culturemachine.net/index.php/cm/article/viewArticle/351

	Licence: © Mark Amerika; courtesy of Mark Amerika<br>

	<br>11. Mark Amerika		<br>11. Mark Amerika

Garyhall at 09:14, 20 October 2011

2011-10-20T09:14:00Z

← Older revision		Revision as of 09:14, 20 October 2011
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	<br>Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository.<br>		<br>Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository.<br>

	<br>Samuels, R. (2006) 'Is the Mind Massively Modular?' in R. J. Stainton (ed.), "Contemporary Debates in Cognitive Science". Oxford: Blackwell.		<br>Samuels, R. (2006) 'Is the Mind Massively Modular?', in R. J. Stainton (ed.), "Contemporary Debates in Cognitive Science". Oxford: Blackwell.
	http://sas-space.sas.ac.uk/944/		<br>http://sas-space.sas.ac.uk/944/
	'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br>		<br>'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br>

	<br>9. ~~Johan De Smedt~~		<br>Smedt, J.D. (2010) 'Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art', ''Evolutionary Psychology'', 8(4).
			Made available here via a link to [www.epjournal.net/filestore/EP08695719.pdf ''Evolutionary Psychology''].
	Toward an Integrative Approach of Cognitive Neuroscientific and Evolutionary Psychological Studies of Art

	Made available here via a link to ~~''Evolutionary Psychology''~~ www.epjournal.net/filestore/EP08695719.pdf

	<br>10. Mark Amerika		<br>10. Mark Amerika

Garyhall at 09:10, 20 October 2011

2011-10-20T09:10:20Z

← Older revision		Revision as of 09:10, 20 October 2011
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	<br>Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository.<br>		<br>Made available here via a link to the authors' [http://cogprints.org/6767/ self-archived copy] in the Cogprints repository.<br>

	<br>8. ~~Richard Samuels~~		<br>Samuels, R. (2006) 'Is the Mind Massively Modular?' in R. J. Stainton (ed.), "Contemporary Debates in Cognitive Science". Oxford: Blackwell.

	Is the Mind Massively Modular?

	http://sas-space.sas.ac.uk/944/		http://sas-space.sas.ac.uk/944/

	'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br>		'Available to the public' in the SAS-SPace repository, which recommends authors use a CC Attribution license<br>